Interpretations of Influence: Cristobal Balenciaga

Interpretations of Influence: Cristobal Balenciaga

Cristóbal Balenciaga, Silk Gazar Evening Dress, ca. 1959.

We are all aware of the effect that a major art exhibition or fashion retrospective can have on the work of contemporary designers, as they absorb great ideas of the past and morph it into their own work. The subsequent effect of this has been that fashion reviewers are quick to look for evidence of designers who’ve fallen under the influence of an exhibition, so that they can be quick to point out the historical connections.

At times it can seem to get thrown about like an easy catch phrase to say that so-and-so was clearly inspired by a recent Yves Saint Laurent, or Balenciaga retrospective. There is nothing wrong with making the connections, of course, because these references are such a part of what gives fashion a sense of depth and history, plus it’s fun to trace the themes back through collections, following the influences of the influencers. But the frustration comes when terms are thrown around too generally and without any sort of visual references. When you’re talking about a great like Cristóbal Balenciaga, for example, there is such a body of work there to reference, that merely name checking him does not really do much to narrow down your description. 

Just by looking at the images below you will see the myriad of ways that we can draw links between the work of Balenciaga and the collections of contemporary designers. Influences and references are not always consciously used by designers – sometimes the idea of the ruffled black dress or the floral print is so ingrained in fashion that you can’t separate it out or say specifically who sent it down the runway for the first time. There is no doubt that Balenciaga is an incredible designer who has been amazingly influential, and whose work always holds an elegant sensibility developed from a pastiche of influences of his own. But at times we need to acknowledge the grey area of influence, rather than feeling a need to categorise it or trace it back neatly to a single source. 

All images on the left are Cristóbal Balenciaga from the Museum of Metropolitan Art»

Catwalk images on the right from»: Image 1, Hussein Chalayan, AW11. Images 2, 4, 5, 6, Jil Sander, AW11. Image 3, Marc Jacobs, AW11. Image 7, Lanvin, AW11. Image 8, Mary Katrantzou, AW11. Image 9, Prada, AW11. Image 10, Vivienne Westwood, AW11.

Recent Articles

Contemporary Couture Techniques at Iris van Herpen | The Cutting Class. Spring-Summer 2020 Haute Couture.
22 Jan 2020
Contemporary Couture Techniques at Iris van Herpen
Iris van Herpen, SS20, Haute Couture, Paris. There is a certain romanticised view of what haute couture entails - hard-working ateliers full of petite mains, painstakingly cutting every last snip...
Textile-Driven Designs at Bethany Williams | The Cutting Class. AW20 Menswear collection by sustainable designer Bethany Williams.
14 Jan 2020
Textile-Driven Designs at Bethany Williams
Bethany Williams, AW20, Menswear, London. While some designers and brands attempt to add a sustainable component to an existing fashion business, Bethany Williams has been steadily working on building a...
Rick Owens Jacket Details AW19 | The Cutting Class. Broad shouldered 'Zionic' jacket.
12 Dec 2019
Rick Owens Jacket Details
Rick Owens Jacket Details on 'Zionic' jacket from AW19. In another article focusing on a garment that has made it through from catwalk to retail», this time the focus is...