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Multicoloured Details from Ports 1961 - The Cutting Class

Multicoloured Details from Ports 1961

Multicoloured Details from Ports 1961

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York.

Ports 1961, RST16, New York.

The Spring-Summer 2016 pre-collection from Ports 1961 was filled with pops of vivid colour set against a neutral canvas of whites and creams. Different trims and embellishments were used across the garments to foreground parts of the garments and to give the garments texture.

Bias binding was used in an interesting way to create sweeping curves and angular mitred corners along the edges of oversized garments. At other times, the use of vibrant linework appeared as a print and these garments were styled with bunches of chaotic trim to draw attention to the print as part of the photography of the collection.

Custom designed knits and wovens also appear to have been developed for the collection. One detail in particular appears to have been created by layering a colourful woven over a neutral backing fabric. The coloured layer then appears to have been cut through to create sections of fringing that play nicely with the proportion of the garments by breaking up the repetition of the weaving pattern in horizontal stripes.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 1. Bias binding with mitred corners.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 2. Bias binding used on both layers.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 3. Neutral tailoring.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 4. 3D lookbook styling brings out 2D print.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 5. Multicoloured fabrics used as embellishment.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 6. Zips sewn with zipper tape fully exposed.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 7. Multicoloured knit with additional fringing.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 8. Subtle pocket details.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 9. Sleeve pattern cut in one with body shape.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 10. Woven fabric cut to create fringing.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 11. Drawstring waistband gathers fabric and creates ruffles.

Multicoloured Details from Ports 1961 | The Cutting Class. Ports 1961, RST16, New York, Image 12. Appears to be cut as patch pocket with fabric edges knotted.

Images from Vogue.co.ukĀ»

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